1/2023 
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Tamara Luuk: "And then they stay… and come back again."
Regina Mets interviewed Tamara Luuk, the curator of "No More Hope for Lovely Creatures", the exhibition that opened the new Lasnamäe Pavilion of Tallinn Art Hall.
A room of our own
Aksel Haagensen analyses the group exhibition "The Weak Fins of My Few Skills".
Mare Mikoff: "I’m not afraid of space. That’s my advantage."
Kaire Nurk interviews Mare Mikoff, who has been active as a sculptor from the first half of the 1970s until now.
Like being with a machine on a desert island
Sandra Jõgeva’s interview with Erik Alalooga, visual artist, performer, director, sound artist, teacher and cultural manager.
Paper architecture and planned economy
Aleksander Zahharov visited the major exhibition "Forecast and Fantasy: Architecture Without Borders, 1960s–1980s" at the Estonian Museum of Architecture.
Konrad Mägi back in Norway
Andreas Trossek reports on the retrospective exhibition "Konrad Mägi: Estonia’s Great Painter".
The future behind us
Francisco Martínez reviews the exhibition "Archaeologists of Memory: Vitols Contemporary Art Collection".
The crocodile ate the bear’s honey
Liisa Kaljula visited Laura Põld and Andres Tolts’ joint exhibition "Common Threads, Polar Bear and Elephant".
The great paintwork
Erkki Luuk visited the joint exhibition "To Sense the Light You Must Close Your Eyes" by Kristi Kongi and Mare Vint.
The reappearance of the black cat
Ann Mirjam Vaikla went to Ruudu Ulas’ solo exhibition "Difficult Objects".
"If a part of the discourse is missing, you need to create it yourself."
Marge Monko in conversation with Paul Kuimet.
Mimicry and paranoia in the automated iconosphere
Stefan Peetri’s (1994–2023) essay on how to see and protect your face today.
