1/2024 
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FRONT PAGES
Why should good art be expensive? On the topic of the price of Estonian art as of the previous auction year
Heie Marie Treier
CORE PAGES
Unframed Baltic trilogies
Kädi Talvoja
read articleWill to defend / will to experiment: Four billboards outside the city centre
Andreas Trossek considers the much-discussed billboard project "Moment" (Hetk) by artists Estookin Andreen and Rebeca Parbus.
read articleDie Eisbrücke
Taavi Eelmaa's interpretive journey at Urmas Lüüs' solo exhibition "Man! God Has Created You Out of Nothing, and This is Too Often Felt in Your Case".
read articleThe artist who seeks to touch the unknown
Konstantin Kuningas visited Hanna Samoson's solo exhibition "Magic is Sometimes Very Close to Nothing at All".
read articleA careful balance of contrasts
Leslie Moody Castro reviews Kristi Kongi's solo exhibition "The Past, the Present, the Future, It is Like Indigo, Lilac, and Magenta".
read articleFINAL PAGES
"Abstraction gave me the opportunity to paint"
Kaire Nurk talked with artist Lola Liivat.
read articleShifted layers in Britta Benno's personal spaces
Mari-Liis Krautmann analyses Britta Benno's work.
read articleDialogues with feminist sensitivity: connecting past and future
Anita Kodanik reflects on the group exhibition of Baltic artists "Swirling, Twirling, Spinning" curated by Merilin Talumaa.
read articleToomas Volkmann's visual statements
Krista Kodres
read articleAn encyclopedia of cumulative art history. Aby Warburg's mission impossible
Johannes Saar
