2/2020 
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A foreword from the editor-in-chief
Andreas Trossek.
read articleMETHODOLOGIES OF ART HISTORY
What is a masterpiece? (2000/1)
Mai Levin is convinced that the painting "Village Landscape" by an unknown Flemish artist can also be a masterpiece.
To assist future Wiiralt researchers (2000/1)
Ants Juske proposes new methods for analyzing Eduard Wiiralt’s works.
Vera Mukhina's "Worker and Collective Farmer" (1936). Paradigmatic masterpiece of Soviet art (2002/1)
Linnar Priimägi.
Lost (hyper?) reality: concerning Elken from an anthropologist’s point of view (2002/1)
Anders Härm.
Sooster, in a slumber and awake (2002/1)
Vaino Vahing.
DISSECTING THE AUTHOR(S)
The return to Toomik (2002/3)
Hanno Soans.
Ene-Liis Semper and the beauty of the play (2003/1)
Anu Allas.
About a bloody trauma (2004/2)
Eero Epner’s thoughts on Marko Mäetamm’s recent paintings.
Five questions to Peeter Allik (2005/1)
Heie Treier.
PITTURA METAFISICA
Fernand Léger in Tallinn (2005/2)
Jüri Hain reconstructs one of the days of December, 1937.
Venice Biennale: 110 years of politics, to say nothing of art (2005/2)
Maria-Kristiina Soomre.
Life space (2005/3)
Ando Keskküla gave an interview to Kaire Nurk.
Giorgio de Chirico’s TV set (2006/1)
Heie Treier.
A purely objective idea / Ten years later (2006/3)
Kaido Ole.
COMPLETED AND UNCOMPLETED PROJECTS
documenta 12 magazines (2007/2)
Heie Treier.
Fictional cover designs of the kunst.ee book series on criticism (2008/1)
Tõnu Kaalep.
INTRODUCTION TO GENDER STUDIES
The return of a working woman (2009/1–2)
Katrin Kivimaa shares her thoughts on Liina Siib’s photo exhibition "A Woman Takes Little Space".
You, me and everyone we don’t know (2010/1–2)
Airi Triisberg analyzes Anna-Stina Treumund’s debut exhibition.
POLITICAL AND/OR PERSONAL
Time glorifies everything (2011/3–4)
Kristiina Davidjants reviews Kristina Norman’s documentary "A Monument to Please Everyone".
The chaos and order of being together (2012/3)
Kirke Kangro shares her impressions of the joint exhibition "Being Together" by Edith Karlson and Kris Lemsalu.
Discreet "Damage" – political is personal! (2013/4)
Hanno Soans writes about Mark Raidpere’s solo exhibition "Damage".
Almost legal (2014/4)
Johannes Saar contextualizes Jaanus Samma’s solo exhibition "Sweater shop Hair Sucks".
Malle Leis’ daughter (2015/1)
Sandra Jõgeva shares her thoughts on Malle Leis’ retrospective exhibition "Yellow Summer".
EXPORT COMPLEX INC.
A new photogenic Köler Prize (2016/2)
Liisa Kaljula visited this year’s Köler Prize show at the Contemporary Art Museum Estonia.
More human than human (2017/2)
Stacey Koosel reviews Katja Novitskova’s solo show, which represents Estonia this year at the Venice Biennale.
Raise your hand who... (2018/1)
Maarin Mürk went to see Marge Monko’s solo show "Stones Against Diamonds, Diamonds Against Stones".
Ex machina (2019/1)
Indrek Grigor analyzes the exhibition "Alice, Neeme & Jass" at Kunsthalle Helsinki.
LESSONS FROM THE CORONARY CRISIS
Kadi Polli: "The web is no substitute for reallife art experience and the materiality of an artwork." (2020/2)
Erle Loonurm interviews Kumu director Kadi Polli.
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