3/2020 
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I
GENERAL / CORONA CRISIS
Nothing happened this spring. Art after corona
Kaarin Kivirähk writes that the corona pandemic created a great deal of uncertainty and fear in the artworld, but it’s hard to believe that the slowing could continue any further.
read articleII
GENERAL / ECOLOGICAL CRISIS
How to be good? Art during the global warming
Madis Vasser vs Siim Preiman: the biggest source of carbon dioxide in the art sector is travel.
III
GENERAL / CLIMATE CRISIS
Can the art world kick its addiction to flying?*
In the era of climate crisis, we all need to rethink how and why we travel, says Kyle Chayka.
IV
THEORY AND PRACTICE / TRANSIENCE
Relapse into the matrix
The end of a trilogy*: Neeme Lopp writes about Mihkel Ilus and Paul Kuimet’s joint exhibition in Tallinn Art Hall.
read articleV
THEORY AND PRACTICE / CLASSICALITY
The artist and art that captivated me the most at one time
Jaan Elken writes about the Ando Keskküla retrospective at Kumu.
Pictorial metaphors and social space in the art of Vello Vinn*
Raivo Kelomees writes about the Vello Vinn retrospective at Kumu.
read articleToo big to ignore
The COVID-19 pandemic has called into question the organisation of major international exhibitions for at least some time, writes Mari Laaniste, who visited an exhibition dedicated to the 500th anniversary of the death of Leonardo da Vinci at the Louvre.
VI
PERSONAL / COMMUNITY
Flo Kasearu’s reach
Jan Kaus’ personal insight into Flo Kasearu’s work.
read articleVII
PERSONAL / ENVIRONMENT
Tiina Tammetalu’s apotheosis of soil
Kaire Nurk talks to Tiina Tammetalu about her path to paintings with powerful earthy textures.
VIII
PERSONAL / RECENT HISTORY
The noughties, ten years later
Indrek Grigor finds that the title of the collection of articles “Normal Noughts” is prematurely chosen to describe the decade.
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NEW PUBLICATION
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SPECIAL PAGES: CORONA SPRING 2020
Editor: Mailis Timmi.
