2/2021 
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FOCUS / HISTORICAL IDENTITY
From art pride to art shame, or "what are little Estonians made of"?
Johannes Saar analyses the new permanent exhibition compiled for Kumu’s 15th birthday, "Landscapes of Identity: Estonian Art 1700–1945", which approaches time as a honeycomb structure.
read articleTHEORY AND PRACTICE / CYCLE OF NATURE
Would you dare hold a lizard? Eike Eplik – the artist who has nature nesting in her subconscious
Kaire Nurk visited Eike Eplik’s solo exhibition "Shared Territory" and delved deeper into her work.
read articleTHEORY AND PRACTICE / PARTY ALL NIGHT
Rave mythologies and ecologies (Part I)
Stefan Peetri analyses the international exhibition "Up All Night: Looking Closely at Rave Culture".
read articleTHEORY AND PRACTICE / CLASSIC
Notes on Beuys I. On reception
Kaire Nurk discusses the importance of Joseph Beuys on his 100th birthday.
From the socialist harem to the free-market economy brothel
Johannes Saar writes about Peeter Linnap’s retrospective exhibition "A Man through History".
// <Hello, World!>*
Kaisa Eiche writes about Peeter Linnap’s retrospective solo exhibition "A Man through History" (and also conducts a social experiment).
read articleTHEORY AND PRACTICE / BLUE, BLACK AND WHITE
The incredible day-to-day
Andri Ksenofontov on the art of René Kari.
read articleTHEORY AND PRACTICE / CRYPTOMARKET
Archaeology and the future of the Estonian post-internet
Margus Tamm speculates on possible connections between post-internet art and NFT art.
read articleTHEORY AND PRACTICE / THINGS
Moments of aliveness
Essay by Ingrid Ruudi from the catalog of the 8th Tallinn Applied Arts Triennial’s main exhibition "Translucency".
GALLERY
Back to square one
Matti Tuomela visited the Non Grata performance group’s exhibition "Apocalyptic Landscapes", brought from Estonia to Finland by Anonymous Boh (Al Paldrok) and Devil Girl (Taje Paldrok).
The beta version of a perfect life
Are exhibitions in flats making a come-back, asks Johannes Saar after seeing Raul Keller’s solo show "Perfect Worlds".
Draft exhibition of a burning final copy
Eik Hermann visited Narva Art Residency’s annual exhibition "Point of No Return. Attunement of attention".
