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FRESH KUNST.EE 1/2024 OUT NOW!

 

2/2022 2/2022

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FOCUS / VENICE

The bitter-sweet enchantment of Orchidelirium

Johanna Jolen Kuzmenko’s report from this year’s Venice Art Biennale, which has been organised since 1895 and in which Estonia has been officially participating since 1997.

Between reality and illusion

The 59th edition, "The Milk of Dreams", provides a feminist review of art history, reports Francisco Martínez.

THEORY AND PRACTICE / WORDS, WARS, HISTORY

Discussion on the cultural identity of Eastern Europe in light of the war in Ukraine

Participating in the discussion led by Andreas Trossek were Tiit Hennoste, Linda Kaljundi, Liisa Kaljula and Tanel Rander.*

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THEORY AND PRACTICE / DAUGHTERS, MOTHERS, GRANDMOTHERS

Under the same sky with Diāna Tamane’s typology of touch

Kerly Ritval delves into Diāna Tamane’s body of work.

THEORY AND PRACTICE / RHIZOMATIC ORNAMENT

Anna Mari Liivrand and the alternative patterns of rituality

Elnara Taidre examines the work of Anna Mari Liivrand.

THEORY AND PRACTICE / SHADES OF LIGHT

"For what are our lives other than constant change?" Discussion with Kristi Kongi, Sirje Runge and Holger Loodus

The discussion was moderated by Hanno Soans; the audio recording was transcribed and edited by Hedi Rosma.

THEORY AND PRACTICE / GUIDED RANDOMNESS

From stains to imagery. Notes on an artistic method from the 1960s

Elnara Taidre writes about a barely noticeable yet ever-present element in the early works of Ülo Sooster, Valve Janov, Jüri Arrak and Tõnis Vint.

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THEORY AND PRACTICE / TO SEE AND DO

Ludmilla Siim’s 21 glimmers of spring

Tõnis Tatar sets out his theses in connection with a Ludmilla Siim retrospective at the Tartu Art Museum.

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THEORY AND PRACTICE / COMPOSITIONS, PORTRAITS, VIEWS

Miljard Kilk back in Tartu

Reet Mark publishes her curatorial notes on the Miljard Kilk retrospective at the Estonian National Museum.

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