3/2022

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Reet Varblane answers Hedi Rosma's questions about Anu Põder, whose works have been included in "The Milk of Dreams", the main exhibition of the ongoing 59th International Venice Art Biennale.

Karolina Łabowicz-Dymanus talks about Aleksandra Waliszewska (and also Kristjan Raud and Erich Kügelgen, among others).

Hanno Soans talks about the art of Taavi Talve, whose recent work blends the factual and the fictional, the documented and the imaginary.

Kädi Talvoja reviews Kumu's exhibition "Thinking Pictures. Conceptual Art from Moscow and the Baltics".

Stefan Peetri's essay on artificial intelligence and deepfakes in contemporary visual culture.

Kaisa Eiche takes on the art of Sten Eltermaa who deals with liminality and the binary opposition of transparency and reflection.

Kaire Nurk talks to Vano Allsalu about abstraction in painting on both a personal and global level.

Margus Tamm looks at how community protests trigger innovation in living environment design.

Kaire Nurk continues the discussion about Joseph Beuys, whose influence is also apparent at the 15th "documenta" in Kassel this year

Urmas Lüüs asks questions, and Julia Maria Künnap, Kai Koppel and Kadri Mälk answer them.

Kadri Mälk reports from the annual craft fair "Schmuck" (Jewellery) in Munich.