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"I have used the comparison of [---] perforated skin, which does not cover, hide or adorn but rather hints at the internal." – Reet Varblane answers Hedi Rosma's questions about Anu Põder, whose works have been included in "The Milk of Dreams", the main exhibition of the ongoing 59th International Venice Art Biennale. "Untold backstories: Anu Põder (1947–2013) and her posthumous rise to international fame" (KUNST.EE 3/2022)




Autumn 2021

Art as a window. A window to the world. This ancient metaphor once again provides food for thought in our current age of the coronavirus. A window between our gaze and the outside world. An invisible border. Window as a membrane. Something protective and insulating and at the same time permeable to information. A window as a screen and a screen as a window. Millions of lights behind closed doors that glow like stars in the night. Windows to other lives, other worlds. Colours and light spectra, everything seems possible…

They say art is larger than life, but that is just one reason to get yourself this issue of KUNST.EE, the art quarterly devoted to various aspects of contemporary art and visual culture in Estonia. All other reasons are already rather more specific, inviting the reader to delve into an artwork, follow the artist and to critically consider the results.

In this issue, questions in the field of art are posed by Elnara Taidre, Lilli-Krõõt Repnau, Maria Helen Känd, Keiu Krikmann, Johannes Saar, Siim Preiman, Al Paldrok, Stefan Peetri, Mai Levin and Elo Liiv. Questions, questions, questions…

Stay tuned!

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